Last evening, this city girl turned country gal went to the opera. Well, not the actual opera, but an HD live transmission from the Metropolitan Opera of New York, at a local movie theater here in the Swedish countryside. We go as often as we can, but I am unable to post on all of them with so much happening here at Gullringstorp with our goats. I would like to post on all our HD opera visits, but it is a bit difficult. I will do my best.
Last evening we saw the Metropolitan Opera of New York’s new production of Verdi’s Rigoletto. It was an absolutely wonderful evening at the opera. I had fun texting back and forth during the intermissions with my daughter who was listening to the live radio broadcast at the same time.
The director, Michael Mayer, has set the production in 1960 Las Vegas, transferring the thuggish morality of the court of 16th-century Mantua to the neon-lighted, satin-jacket world of Dean Martin, Sammy Davis Jr., Frank Sinatra and Joey Bishop. Having spent a lot of time in the glittering city as a child and teenager with my family, it was a trip down memory lane for me. This new production had an international line up of fantastic voices :
Zeljko Lucic : Rigoletto
Diana Damrau : Gilda
Oksana Volkova : Maddalena
Piotr Beczala : Duke of Mantua
Stefan Kocan : Sparafucile
Composer : Giuseppe Verdi
Conductor : Michele Mariotti
ACT I. Mantua, 1500s. At his palace, the Duke lightheartedly boasts to his courtiers of amorous conquests, escorting Countess Ceprano, his latest prize, to a private chamber as his hunchback jester, Rigoletto, makes fun of her husband. Marullo announces that Rigoletto is suspected of keeping a mistress, and Ceprano plots with the courtiers to punish the hated buffoon. Attention is diverted when Monterone, an elderly nobleman, enters to denounce the Duke for seducing his daughter. Ridiculed by Rigoletto and placed under arrest, Monterone pronounces a curse on both the Duke and his jester.
On his way home that night, Rigoletto broods on Monterone’s curse. Rejecting the services offered by Sparafucile, a professional assassin, he notes that the word can be as deadly as the dagger. Greeted by his daughter, Gilda, whom he keeps hidden from the world, he reminisces about his late wife, then warns the governess, Giovanna, to admit no one. But as Rigoletto leaves, the Duke slips into the garden, tossing a purse to Giovanna to keep her quiet. The nobleman declares his love to Gilda, who has noticed him in church. He tells her he is a poor student named Gualtier Maldè, but at the sound of footsteps he rushes away. Tenderly repeating his name, Gilda retires. Meanwhile, the courtiers stop Rigoletto outside his house and ask him to help abduct Ceprano’s wife, who lives across the way. The jester is duped into wearing a blindfold and holding a ladder against his own garden wall. The courtiers break into his home and carry off Gilda. Rigoletto, hearing her cry for help, tears off his blindfold and rushes into the house, discovering only her scarf. He remembers Monterone’s curse.
ACT II. In his palace, the Duke is distraught over the disappearance of Gilda. When his courtiers return, saying it is they who have taken her and that she is now in his bedchamber, he joyfully rushes off to the conquest. Soon Rigoletto enters, warily looking for Gilda; the courtiers bar his way, though they are astonished to learn the girl is not his mistress but his daughter. The jester reviles them, then embraces the disheveled Gilda as she runs in to tell of her courtship and abduction. As Monterone is led to the dungeon, Rigoletto vows to avenge them both.
ACT III. At night, outside Sparafucile’s run-down inn on the outskirts of town, Rigoletto and Gilda watch as the Duke flirts with the assassin’s sister and accomplice, Maddalena. Rigoletto sends his daughter off to disguise herself as a boy for her escape to Verona, then pays Sparafucile to murder the Duke. As a storm rages, Gilda returns to hear Maddalena persuade her brother to kill not the Duke but the next visitor to the inn instead. Resolving to sacrifice herself for the Duke, despite his betrayal, Gilda enters the inn and is stabbed. Rigoletto comes back to claim the body and gloats over the sack Sparafucile gives him, only to hear his supposed victim singing in the distance. Frantically cutting open the sack, he finds Gilda, who dies asking forgiveness. Monterone’s curse is fulfilled.
— courtesy of Opera News
Here is a clip of the rehearsal of Rigoletto, Met Opera 2013
Here is a video clip of Piotr Beczala ( A fantastic tenor from Poland)
Here is a video clip of Diana Damarau ( A beautiful soprano from Germany)
Here is a beautiful and touching duet between Rigoletto : Zeljko Lucic ( A baritone from Serbia)and his beloved daughter Gilda: Diana Damarau
I hope you have enjoyed a night at the opera…
This morning I greeted my lovely happy goats with a trip down memory lane. Today they enjoyed with me, a wonderful sound from a group whose stardom spanned from 1928-1982. Most of their most famous songs were from the 30’s and 40’s. As a young girl and well into my teens, I was attracted to the sounds of the 30’s and 40’s. I was a bit of an oddity singing songs from that era when other young teens were enjoying Motown artists along with other artist of the day.
One of my favorite groups was The Mills Brothers. I never had the great opportunity of seeing them in person, but my husband has. He saw them in a night club in Gothenburg, Sweden during the 1960’s. He even had a chat with one of the members of the group. Wow ! What I would have given for that experience!
As my goats got fresh hay, straw and clean water and were milked, they enjoyed the following:
I know all the words of all their tunes so my goats got me singing also. Poor goats, they were my captive audience.